A couple of weeks ago, I spent a few days making a book trailer for THE HERMIT. I used Animoto, which was new for me, but I have to say it’s a nice program (once I figured it out, roughly). And I got to include my late grandparents, Nana and Gramps Mingo in a YouTube video:)
Here’s the link to the two-minute trailer: https://www.youtube.com/watch?v=19vC0aFDBdc.
I’ve been continuing to play with art, but I did work on the first edit of my forthcoming picture book with Red Deer Press, tentatively “Anna Maria & Maestro Vivaldi” due out in 2022. The wonderfully talented Francois Thisdale is doing the art for this one, which I’m pretty excited about.
I recently had some great news for THE HERMIT – it’s one of five finalists for the IODE Violet Downey Book Award, for the best Canadian book for readers 13 and under – two of the other finalists are also finalists for the 2021 Governor General’s Literary Awards, so my novel is in good company. I’m reading the other books, and so far I’ve read BANKSY (Tanya Lloyd Kyi, MY PINE ISLAND HOME (Polly Horvath) and SARA AND THE SEARCH FOR NORMAL (Wesley King) – they’re all very different and really excellent. Next up is THE BARREN GROUNDS (David A. Robertston). I have absolutely no hope of winning, but I’m happy my novel, from a relatively tiny, indie publisher (Nimbus Publishing) in Nova Scotia has gotten some recognition nationally:)
Hope you’re enjoying spring – it’s arrived a little early here in NS, and I hope all of you will get to see your people sometime before summer ends – I’ve had one shot of AZ, and I have to say I’m hoping for something else for the second shot now that AZ has been paused across Canada. The good news is the roll-out has been faster than expected – now we just have to persuade everybody to book an appointment. Cheers!

I finally got around to reading ON WRITING: A MEMOIR OF THE CRAFT, Stephen King’s book that every writer should read. Since he reportedly earned 17 million last year, he must know a few things about writing. Plus there are over 350 million copies of his dozens of books in existence. He has such an easy conversational writing style, and I completely enjoyed the book, written partly while he was recovering from a horrific car accident. I took notes while reading, and thought I’d share them here (in case you don’t have time to read the book):

Tanks full of innocent goldfish, waiting to be bagged up and taken home to a guaranteed short life; the lunch counters with their super-salty gravy-soaked french-fries, milkshakes, and cherry cokes. And, of course the toys. We had so few in those days, making do with our dolls and our imaginations – my sister and I were never hard-pressed to find something fun to do. We played endless games of store, library, school, and house. We didn’t even have TV at home until the middle of elementary school, but we always had library books. I figure that’s a big part of why I grew up to become a writer.
and I was sad to see so many empty storefronts on Kingston’s busy main street, Princess. University towns and cities are missing the annual September in-flow of students. Driving through other small towns in southern Ontario, the economic effects of this pandemic are bleakly visible in the “For Lease” signs in empty shop windows.
including these lovely sea-inspired ones worn by my writing retreat pals, raising thousands of dollars for local food banks and school backpack programs. The latter (facilitated by the St. Vincent de Paul Society in Wolfville) is even more important now that Nova Scotia is reopening schools at full capacity in September. Masks are now mandatory in all indoor public places in Nova Scotia, and people are being super-compliant. We’ve been pretty much Covid-free for several weeks now, although that will change once all the interior Canadian borders reopen – date TBA, and people start flying around the country more often. I’m really getting frustrated by not seeing Liam & Rachel, Shannon & Peter (and sweet puppy Winnie)











